Bigmouth Strikes Again - 2011 Remaster album art

Bigmouth Strikes Again - 2011 Remaster

by The Smiths

Summary

"Bigmouth Strikes Again" is a sharp and witty song about feeling misunderstood and out of place. It mixes dark humor with a sense of frustration about societal norms and personal identity.

Full Analysis

The overall theme of the song revolves around the struggle to fit in and the consequences of speaking one’s mind. The character feels like an outsider, grappling with feelings of anger and confusion. The repeated references to Joan of Arc hint at a sense of martyrdom, suggesting that the singer's honesty might lead to their downfall. It’s a clever mix of humor and self-reflection, showcasing how people can feel both powerful and powerless at the same time.

Verse 1

Sweetness, sweetness, I was only joking
When I said I'd like to smash every tooth in your head
Oh-oh, sweetness, sweetness, I was only joking
When I said by rights you should be bludgeoned in your bed

In this verse, the singer uses sarcasm to express feelings of frustration. The playful tone of "sweetness" contrasts sharply with the violent imagery of smashing teeth and bludgeoning. It's like they’re saying something extreme just to get a reaction. This sets the stage for the song's exploration of aggression masked as humor. The speaker is clearly upset, but the joking tone makes it feel more complicated, blurring the lines between humor and genuine anger.

Chorus

And now I know how Joan of Arc felt
Now I know how Joan of Arc felt
As the flames rose to her Roman nose
And her Walkman started to melt

Here, the chorus connects the personal struggle to a historical figure, Joan of Arc. The mention of flames suggests a feeling of persecution or being burned for one’s beliefs. The reference to a melting Walkman adds a modern twist, mixing the past with the present. It’s a clever way to show how timeless the feeling of being misunderstood can be. The repetition emphasizes the weight of this connection, driving home the idea that the singer feels trapped and judged.

Verse 2

Bigmouth, la-da-da-da-da
Bigmouth, la-da-da-da
Bigmouth strikes again
And I've got no right to take my place to the human race

In this verse, the singer embraces the "bigmouth" identity, hinting at a sense of defiance. It’s almost like they’re owning the title, even if it comes with its own set of problems. The phrase about having “no right to take my place” suggests feelings of guilt or shame, as if the singer feels they don’t belong. This adds another layer to the struggle, showing that speaking out can lead to isolation rather than connection.

Chorus

Bigmouth, la-da-da-da-da
Bigmouth, la-da-da-da
Bigmouth strikes again
And I've got no right to take my place to the human race

The chorus repeats, reinforcing the idea of being a bigmouth and the conflicts that come with it. It’s catchy and almost playful, but beneath that, there’s a deep sense of alienation. The repetition serves to highlight the frustration of being misunderstood. It’s a cry for acceptance while also acknowledging that the act of speaking out often leads to further isolation.

Bridge

And now I know how Joan of Arc felt
Now I know how Joan of Arc felt
As the flames rose to her Roman nose
And her hearing aid started to melt

This bridge repeats the earlier chorus, but with a slight twist in the imagery. The mention of a hearing aid suggests a struggle to be heard or understood. It adds a layer of vulnerability, showing that the singer is not just angry but also deeply affected by their situation. The flames and melting items create a sense of urgency, as if the pressure is building and something must give.

Outro

Bigmouth, oh-oh-oh, ha-ha
Bigmouth, la-da-da-da
Bigmouth strikes again
And I've got no right to take my place to the human race
Oh-oh-oh-oh-oh-oh

The outro brings us back to the catchy refrain, almost like a mantra. The laughter in the line "ha-ha" feels ironic, as if the singer is laughing to hide their pain. It’s a compelling way to end, leaving the listener with a mix of emotions. The repetition emphasizes the cyclical nature of feeling misunderstood and the struggle to find one’s place in the world.

Closing Thoughts

"Bigmouth Strikes Again" is a brilliant blend of humor, frustration, and self-examination. The catchy melodies pull you in, while the lyrics make you think about the price of honesty and the feeling of being an outsider. It captures that relatable struggle of wanting to be heard but also fearing the consequences of speaking up. The song remains a timeless reminder of the complexities of human expression and the often messy quest for acceptance.

Full Lyrics

Sweetness, sweetness, I was only joking
When I said I'd like to smash every tooth in your head

Oh-oh, sweetness, sweetness, I was only joking
When I said by rights you should be bludgeoned in your bed

And now I know how Joan of Arc felt
Now I know how Joan of Arc felt
As the flames rose to her Roman nose
And her Walkman started to melt

Bigmouth, la-da-da-da-da
Bigmouth, la-da-da-da
Bigmouth strikes again
And I've got no right to take my place to the human race
Oh-oh-oh-oh-oh

Bigmouth, la-da-da-da-da
Bigmouth, la-da-da-da
Bigmouth strikes again
And I've got no right to take my place to the human race

And now I know how Joan of Arc felt
Now I know how Joan of Arc felt
As the flames rose to her Roman nose
And her hearing aid started to melt

Bigmouth, la-da-da-da-da
Bigmouth, la-da-da-da
Bigmouth strikes again
And I've got no right to take my place to the human race
Oh-oh-oh-oh-oh-oh

Bigmouth, oh-oh-oh, ha-ha
Bigmouth, la-da-da-da
Bigmouth strikes again
And I've got no right to take my place to the human race
Oh-oh-oh-oh-oh-oh

Bigmouth, oh-oh-oh, ha-ha
Bigmouth, la-da-da-da
Bigmouth strikes again
And I've got no right to take my place to the human race
Oh-oh-oh-oh-oh-oh

Bigmouth, la-da-da-da-da
Bigmouth, la-da-da-da
Bigmouth strikes again
And I've got no right to take my place to the human race
More by The Smiths
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