The Grunge Production Aesthetic
Stone Temple Pilots' "Sex Type Thing" from their 2017 remaster serves as a vivid reminder of the grunge era's complex relationship with sexuality. Released in 1992 on their debut album, Core, the track's production encapsulates a rawness that mirrors the disillusionment of the early '90s, where traditional notions of masculinity and sexuality were being challenged.
Layered Instrumentation and Raw Vocals
The remastered version of the song enhances its gritty sound, allowing the layered instrumentation to shine through. The sharp, distorted guitars and pounding drums create a visceral backdrop for Scott Weiland's haunting vocals. This sonic aggression reflects the era’s dismissal of polished pop sensibilities, instead opting for a sound that's both abrasive and honest.
"I want to see you, I want to see you / In my sex type thing"
These lines illustrate a bold declaration of desire, yet the delivery is laced with an unsettling edge. The production captures this tension perfectly, with Weiland's voice oscillating between seductive and confrontational. This duality is emblematic of grunge's broader commentary on sexual politics, where desire is not just celebrated but scrutinized.
Breaking Down Masculinity
Grunge music often grappled with the concept of masculinity, and "Sex Type Thing" is no exception. The song's provocative title and lyrics challenge conventional ideas about male sexual dominance. The rawness in the production amplifies these themes, suggesting that beneath the bravado lies vulnerability and confusion.
Interestingly, the song was controversial upon its release, drawing criticism for its overt sexual themes and perceived misogyny. However, this critique only emphasizes the complexity of the grunge movement's relationship with sexuality.
Influence of the Seattle Sound
Produced by Brendan O'Brien, who would later work with the likes of Pearl Jam and Soundgarden, the track inherits the signature Seattle sound. The heavy use of distortion and dynamic shifts in volume create a disorienting effect that mirrors the chaotic exploration of identity during this period. The production choices are not just aesthetic; they are a commentary on the tumultuous nature of sexual expression in a post-recession America.
Legacy and Relevance
Listening to the 2017 remaster today, the track feels eerily relevant. In a world where conversations about consent and sexual identity are more prominent than ever, "Sex Type Thing" serves as a reminder of the ongoing dialogue surrounding these themes. The rawness of the production remains a testament to the era's unfiltered approach to difficult subjects.
"You can’t be happy, you can’t be happy / When you’re not with me"
This line encapsulates the desperation and longing that permeates the track. The dissonance between the desire expressed and the unsettling reality behind it resonates with listeners, reinforcing that the exploration of sexuality is often fraught with complexities.
Conclusion
Ultimately, the production choices in "Sex Type Thing" are not just about creating a sound; they are about embodying an attitude. The grunge era's approach to sexuality was marked by a mix of celebration and critique, and the remastered version serves as a powerful reminder of that legacy.