Unholy (feat. Kim Petras)

The song carries a strong sense of secrecy and temptation. It explores how one person can lead a double life, hiding their true actions from their partner. The vibe feels both naughty and glamorous, with catchy beats that draw you in. Sam Smith and Kim Petras bring a fun yet serious tone to this story, mixing pleasure with the consequences of being unfaithful.

Verse 1

Mummy don't know daddy's getting hot
At the body shop, doing something unholy He lucky, lucky, yeah (ooh)
He lucky, lucky, yeah (ye-yeah)
He lucky, lucky, yeah
He lucky, lucky, yeah

In this verse, the narrator reveals that a father figure is engaging in questionable behavior while his partner is oblivious. The phrase "doing something unholy" hints at infidelity, suggesting a thrilling yet risky lifestyle. The repetition of "he lucky, lucky" adds a playful tone, almost mocking the father's carefree attitude as he indulges in his secret life.

Chorus

Mummy don't know daddy's getting hot
At the body shop, doing something unholy
He's sat back while she's dropping it, she be popping it
Yeah, she put it down slowly Oh-ee-oh-ee-oh, he left his kids at
Ho-ee-oh-ee-ome, so he can get that
Mummy don't know daddy's getting hot
At the body shop, doing something unholy (woo)

The chorus emphasizes the thrill of the secret relationship while exposing the father's neglect. The imagery of the "body shop" suggests a place of physical attraction and desire, which contrasts sharply with the responsibilities he leaves behind at home. The catchy melody here makes it feel fun, even though the subject matter is serious. It highlights how easily one can get lost in their desires, forgetting the impact on others.

Verse 2

Mmm, daddy, daddy, if you want it, drop the add'y (yuh)
Give me love, give me Fendi, my Balenciaga daddy
You gon' need to bag it up, 'cause I'm spending on Rodeo (woo) You can watch me back it up, I'll be gone in the a.m.

This verse introduces a female perspective, perhaps the mistress, who is aware of the game being played. She demands gifts and attention, showing how transactional relationships can be. The reference to luxury brands like Fendi and Balenciaga adds to the theme of excess and desire, revealing that for some, love and affection come with a price tag. The idea of being "gone in the a.m." suggests a casual, no-strings-attached approach, which adds to the song's playful yet reckless vibe.

Chorus

Mummy don't know daddy's getting hot
At the body shop, doing something unholy
He's sat back while she's dropping it, she be popping it
Yeah, she put it down slowly Oh-ee-oh-ee-oh, he left his kids at
Ho-ee-oh-ee-ome, so he can get that
Mummy don't know daddy's getting hot
At the body shop, doing something unholy

The chorus repeats, reinforcing the central theme of hidden actions and the blissful ignorance of the partner at home. It serves as a catchy reminder of how easily one can fall into temptation while ignoring the consequences. The rhythm and repetition make it memorable, making you want to sing along even though it touches on serious issues like infidelity.

Bridge

And he, he get me Prada, get me Miu Miu like Rihanna (ah)
He always call me 'cause I never cause no drama
And when you want it, baby, I know I got you covered
And when you need it, baby, just jump under the covers

In the bridge, the mistress reflects on her role. She enjoys the lavish gifts but also highlights her ability to keep things low-key. The line about never causing drama suggests she plays her part well, knowing how to keep the affair hidden. It’s a mix of confidence and awareness of the situation, showing a deeper layer to her character. There’s a playful yet serious tone here, making it clear that she knows what she’s doing and enjoys the thrill of it all.

Outro

Mummy don't know daddy's getting hot
At the body shop, doing something unholy
He's sat back while she's dropping it, she be popping it
Yeah, she put it down slowly Oh-ee-oh-ee-oh, he left his kids at
Ho-ee-oh-ee-ome, so he can get that
Mummy don't know daddy's getting hot
At the body shop, doing something unholy

The outro mirrors the chorus, bringing the song full circle. It serves as a reminder of the ongoing deception and the thrill of living on the edge. The repetition reinforces the idea that this cycle continues, and the playful tone contrasts with the darker implications of the story. It leaves listeners with a catchy hook, even though the subject matter is about betrayal and hidden truths.

Closing Thoughts

"Unholy" is a catchy, upbeat song that explores the complexities of secret relationships and infidelity. It balances fun and serious themes, making it relatable yet thought-provoking. The combination of Sam Smith’s powerful voice and Kim Petras’ playful delivery creates an engaging experience, inviting listeners to dance while reflecting on the consequences of their actions. The song highlights how easily one can get caught up in desire, often at the expense of others.