Summary

"Rich Flex" is a powerful collaboration between Drake and 21 Savage that dives into themes of wealth, status, and the complexities of relationships in the hip-hop world. The song combines braggadocio with moments of introspection, showcasing both artists' strengths while reflecting on loyalty and street credibility.

Full Analysis

The song explores the glitzy lifestyle that comes with fame and success, but it also touches on the darker sides of wealth and relationships. The mood blends confidence with a hint of danger, as both artists flaunt their accomplishments while hinting at the challenges they face. This track serves as a reminder of how quickly loyalty can shift in the world of hip-hop, where appearances can be deceiving and trust is hard to come by.

Verse 1

"Go buy a zip of w-, hit the club
Pay for like ten n- to get in, we crunk, lit in this b-, yeah
Know we walk around the world
Steppin' not givin a damn 'bout where our feet land at
Yeah, get your a- mushed, smooshed (6ix)
Yeah, 21, the biggest
Put a n- in the chicken wing"

In the opening lines, Drake sets a party scene filled with bravado and excess. He talks about buying drugs and paying for his crew, emphasizing a carefree attitude despite the risks involved. The mention of “walking around the world” speaks to their fame and influence, while the line about not caring where their feet land reflects a sense of freedom and recklessness. It hints that they live life to the fullest without worrying about consequences, establishing a tone of confidence right from the start.

Chorus

"21, can you do somethin' for me? (21)
Can you hit a lil' rich flex for me? (21)
And 21, can you do somethin' for me? (21, 21)
Drop some bars to my - ex for me
And 21 (21), can you do somethin' for me? (Yeah)
Can you talk to the opps necks for me? (Okay)
21, do your thing, 21, do your thing (21)
Do your thing, 21, do your thing"

The chorus creates a catchy and engaging hook. Here, Drake is calling on 21 Savage to show off his skills and address their enemies. It highlights their camaraderie and trust in each other, as Drake leans on 21 for support in dealing with past relationships and rivalries. This part of the song captures the playful yet competitive spirit that defines their collaboration, reinforcing the overarching theme of loyalty amidst the glamor.

Verse 2

"Yellow diamonds in the watch, this sh- cost a lot
Never send a b- your dot, that's how you get shot
I DM in Vanish Mode, I do that sh- a lot
Took her panties off and this b- thicker than a plot"

In this verse, 21 Savage dives into the luxurious details of his lifestyle, mentioning expensive jewelry and the dangers of relationships. He warns against sharing locations, which illustrates a survival mentality in a world filled with betrayal. The line about using “Vanish Mode” in DMs adds an element of secrecy and mistrust, reflecting the complexities of dating and intimacy in their lives. This section deepens the song's exploration of trust and the risks that come with their lifestyle.

Bridge

"I'm a savage (21)
Smack her booty in Magic (21)
I'll slap a - with a ratchet
I might slap a tracker on his whip and get to addin'
Don't call me on Christmas Eve, b-, call your daddy (21)
Call your uncle (21), b-, don't call me (21)
Always in my ear, your h- a flea
Why my opps be posting guns and only use they feet? (21)"

Here, 21 Savage leans into his persona as a "savage," showcasing his boldness and unapologetic nature. The imagery of physicality in relationships contrasts sharply with the earlier themes of loyalty, highlighting a more aggressive side of their existence. The lines about family further emphasize a sense of distance from romantic interests, suggesting that personal connections can be complicated and fraught with expectation. The mention of rivals only using feet for escape reinforces the idea that action without follow-through is ineffective in their world.

Chorus (Repeated)

"All you h-
All of you h- need to remember who y'all talking to
It's the Slaughter Gang CEO
I got d- for you if I'm not working, girl
If I'm busy, then, f- no
You need to find you someone else to call
When your bank account get low
You need to find you someone"

The repetition of the chorus reinforces the song's core themes of status and wealth, reminding listeners of 21 Savage's authoritative position in the game. He asserts that those who come to him must respect his time and status, emphasizing that he’s not easily available when he's busy. This section solidifies the narrative around loyalty and expectation, highlighting the need for mutual respect in their relationships.

Verse 3

"Ayy, ayy, ayy, ayy, ayy
I'm on that Slaughter Gang sh-, ayy, murder gang sh-
Ayy, Slaughter Gang sh-, ayy, murder gang sh-"

In this section, the repetition of phrases serves to solidify 21 Savage’s brand and identity. It’s a mantra that evokes a sense of belonging to something bigger than himself. The emphasis on “Slaughter Gang” and “murder gang” highlights his commitment to his crew and the lifestyle they represent. This builds on the themes of loyalty and the harsh realities of their environment.

Verse 4

"Ayy, sticks and stones, chrome on chrome
That's just what a n- on
Internet clones, got 'em kissin' through the phone
Clickin' up so they don't feel alone, ayy"

In these lines, 21 Savage contrasts real-life challenges with the facades created online. “Sticks and stones” suggests that physical confrontations are a reality he faces, while “internet clones” critique the inauthenticity of some in their industry. The imagery of “kissing through the phone” paints a picture of superficial connections in a digital age, emphasizing the loneliness that can accompany fame.

Verse 5

"Nan' n- seein' me, I'm Young Money CMB
I used to roll with CMG, the house is not a BNB
The bad b- waitin' on a n- like I'm PnD
I'm steady pushing P, you n- pushing PTSD"

Here, 21 references his connections with major labels, asserting his status in the industry. The mention of “pushing P” alludes to the ongoing conversation about authenticity and success. He draws a line between real achievements and the psychological burdens that often accompany them, which adds depth to his earlier braggadocio.

Closing Thoughts

"Rich Flex" stands out for its blend of catchy hooks and deep themes. The balance of confidence and vulnerability in the lyrics reflects the complexities of fame, loyalty, and the harsh realities of street life. This song resonates with listeners because it captures both the allure and the dangers of success in hip-hop culture, leaving a lasting impression of both artists' talents and authenticity.

Full Lyrics

Go buy a zip of w-, hit the club
Pay for like ten n- to get in, we crunk, lit in this b-, yeah
Know we walk around the world
Steppin' not givin a damn 'bout where our feet land at
Yeah, get your a- mushed, smooshed (6ix)
Yeah, 21, the biggest
Put a n- in the chicken wing

21, can you do somethin' for me? (21)
Can you hit a lil' rich flex for me? (21)
And 21, can you do somethin' for me? (21, 21)
Drop some bars to my - ex for me
And 21 (21), can you do somethin" for me? (Yeah)
Can you talk to the opps necks for me? (Okay)
21, do your thing, 21, do your thing (21)
Do your thing, 21, do your thing

Yellow diamonds in the watch, this sh- cost a lot
Never send a b- your dot, that's how you get shot
I DM in Vanish Mode, I do that sh- a lot
Took her panties off and this b- thicker than a plot

All my exes ain't nothin', them h- busted
If my opps ain't rappin', they ass duckin'
You ain't ready to pull the trigger, don't clutch it
I know you on your -, baby, can you -?

I'm a savage (21)
Smack her booty in Magic (21)
I'll slap a - with a ratchet
I might slap a tracker on his whip and get to addin'
Don't call me on Christmas Eve, b-, call your daddy (21)
Call your uncle (21), b-, don't call me (21)
Always in my ear, your h- a flea(
Why my opps be posting guns and only use they feet? (21)
Paid like an athlete, I got-

All you h-
All of you h- need to remember who y'all talking to
It's the Slaughter Gang CEO
I got d- for you if I'm not working, girl
If I'm busy, then, f- no
You need to find you someone else to call
When your bank account get low
You need to find you someone

Ayy, ayy, ayy, ayy, ayy
I'm on that Slaughter Gang sh-, ayy, murder gang sh-
Ayy, Slaughter Gang sh-, ayy, murder gang sh-

Ayy, sticks and stones, chrome on chrome
That's just what a n- on
Internet clones, got 'em kissin' through the phone
Clickin' up so they don't feel alone, ayy

Nan' n- seein' me, I'm Young Money CMB
I used to roll with CMG, the house is not a BNB
The bad b- waitin' on a n- like I'm PnD
I'm steady pushing P, you n- pushing PTSD

I told her a- to kiss me in the club, f- a TMZ
I used to want a GMC, when Woe was doing BNE
We revvin' up and goin' on a run like the DMC
I layup with her for a couple days, then its BRB

You rappers like askin' if I f-, when you know we did
When you know we did
She came in heels, but she left out on her cozy sh-
Ayy, I'm livin every 24 like Kobe did

Shoutout to the 6ix, R.I.P the 8
Swear this sh- is getting ate, I'm on ten for the cake
Get a lot of love from 12, but I don't reciprocate
51 division stay patrolling when it's late
21 my addy, so the knife is on the gate
All the dawgs eating off a Baccarat plate
See Drake and they underestimate
Take it from a vet, that's a rookie a- mistake, ayy

Ah, what, what
Slaughter Gang sh-, ayy, murder gang sh-, ayy
Slaughter Gang sh-, ayy, murder gang sh-, ayy
(Slaughter gang sh-, ayy, murder gang sh-, ayy)
(And you got 'em)

Boy, look, you the m- man
Boy, you, ooh, you is the man, you hear me?
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